Selected Writings
Fiction
Featuring new work by Elinam Agbo, Keyan Bowes, Omar El Akkad, Chinua Ezenwa-Ohaeto, Amanda Kallis, Heidi Kaloustian, Joan Naviyuk Kane, Caroline Kim, Liu Daohang, Melissa Mogollon, Abbigail Rosewood, Francis Santana, Casey A. Williams, and Olga Zilberbourg. Photography by Nate Kauffman.
A flash fiction piece explores the intriguing process by which a girl “becomes,” how she is simultaneously “made and unmade” by the experiences and influences which surround her.
My mother worked to pay my nanny, who laundered, cooked, and put me to bed, but it was a male omniscience I prayed to, his masculine benediction I longed for.
Then when the house caught on fire and going back only meant standing on a bed of ash and wet grass, we began to transform every place we lived in into our childhood home.
The first time I saw them, more than a decade ago now, they were standing in a circle behind the sun’s shadow. Even from a distance, I could tell they would tower over me, their chins several inches above my head, a mathematical difference in perspective. In their fists, beer, a baseball, throw darts, something crumbling.
I remember being born, the deep red rush, the slippery vessel, the convulsion of tears and sweat, of not-wanting, then suddenly—the light. I don’t remember my mother. In bringing me to life, she’d retracted inside her body, an inversed dahlia, the multiple petals folding into itself.
Nonfiction
As a Vietnamese immigrant, I found understanding in the horoscope readers of my family and the Asian diaspora.
The joy of love is often coupled with the fear of loss. Here, novelist Abbigail Nguyen Rosewood recalls how anxiety before her wedding returned her to the impermanence of life, to its multiple pathways and infinite realities, as explored in her new book, The Constellations of Eve.
Abbigail Nguyen Rosewood Considers Trust, Discovery, and Dreaming While Awake
Abbigail Nguyen Rosewood Considers Trust, Discovery, and Dreaming While Awake
Choosing one life means missing out on another; it is not possible to be everywhere all at once, to do everything, to be everyone.
As a millennial who preferred phone calls and IRL convos, I thought texting was the worst. Then I discovered the art of long-form text messages.
Sex is assumed to be an intensely private experience, but like much else, we experience one thing in relation to another. In that sense, sex is advertisement, sex is food, sex is car insurance, and mothers in Alo Yoga uniforms; sex is expensive baby strollers, and Seamless, a rat coming out of a garbage bag with a chicken bone in its mouth. Sex is subliminal. In the city, sex is ambitious, overwhelmingly so. How many times must we do it daily? Sex is competition. Sex is public.
Oh Reader is a magazine about reading, for and by readers. It looks deep into the art of reading—why we do it, how it affects us, who we are when we read, and how we’re all connected through words.
I learned to love my father through the curvature of his absence,...as a ghost, an invention, a hearsay.
After the exhilaration of publication dissolved, I still had myself to face.
Abbigail N. Rosewood, author of If I Had Two Lives, recommends fiction from around the world about psychic splits
Poetry
Collaborations
The first and only book to gather the voices and perspectives of Vietnamese diasporic authors from across the globe.
Writing Feminism and Disobedience
Hoai Huong Aubert-Nguyen and Vaan Nguyen
Abbigail Nguyen Rosewood and Violet Kupersmith
Thi Bui and Thảo Nguyễn
Nguyễn Phan Quế Mai and Hoa Nguyen
In the spirit of the classic community cookbooks assembled by churches, PTAs, families, and charities, the Tables of Contents Community Cookbook is a collection of personal recipes and brief reflections on food from 36 contemporary poets, essayists and fiction writers.
This poetry-art exhibit (viewable online) is taking place at the Eccles Gallery at Salt Lake City Community College from October 8-November 6.
Conversations
In this interview, Trinh explains the danger that Vietnamese bloggers face when they discuss political issues, as well as the state of free expression in the country and his honest views as to how Vietnamese activism is shaped by cultural constraints.